While the use of clefs for transposition is theoretically tidy, it is rarely a practical method for most students. Certainly,...
While the use of clefs for transposition is theoretically tidy, it is rarely a practical method for most students. Certainly, clef transpositions involving bass, alto, and tenor clefs are usable, but those involving archaic G- and F-clefs prove too cumbersome when there are more practical solutions available (e.g., movable do solfege.)Technical Remarks: Octave differences are left without comment entirely. The clef transpositions are presented as solutions to transposition problems, but there is no mention of clefs that change the original octave. This is somewhat troubling, especially given the typical beginner's confusion regarding the sounding octave of a pitch notated on a C-clef. A Bb clarinet part read as though in alto clef does *not* produce the same pitches as the original, only the same pitch-classes.