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        <title>MERLOT Search - materialType=Open%20Textbook&amp;category=525658</title>
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        <description>A search of MERLOT materials</description>
        <copyright>Copyright 1997-2013 MERLOT. All rights reserved.</copyright>
        <pubDate>Mon, 20 May 2013 10:07:00 PDT</pubDate>
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            <title>MERLOT Search - materialType=Open%20Textbook&amp;category=525658</title>
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            <title>A History of Sculpture</title>
            <link>http://www.merlot.org/merlot/viewMaterial.htm?id=557620</link>
            <description>&#1524;In this book the author have attempted to give a sketch of the history of sculpture from the beginnings of civilization in Egypt and Babylonia to the present day. He have attempted no detailed criticism. A brief description of the materials and methods employed in sculpture is contained in the Introduction.&#1524;</description>
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            <title>Greek Sculpture</title>
            <link>http://www.merlot.org/merlot/viewMaterial.htm?id=557834</link>
            <description>&#1524;A collection of sixteen pictures of Greek marbles, with introduction and interpretation. Within the limits of this small collection of pictures an attempt is made to bring together as great a variety of subjects as possible. Portraiture is illustrated in the statue of Sophocles and the bust of Pericles, genre studies in the Apoxyomenos and Discobolus, bas-relief work in the panel from the Parthenon frieze and the Orpheus and Eurydice, and ideal heads and statues in the representations of the divinities.&#1524;</description>
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            <title>How to Understand Sculpture</title>
            <link>http://www.merlot.org/merlot/viewMaterial.htm?id=557836</link>
            <description>According to the author, &quot;The title of this book speaks for itself; I have only to add here that it differs from most works of the kind in being the production of an artist endeavouring to explain the technicalities of a beautiful and little understood art ; for this reason it is hoped that it will not be judged from a purely literary standpoint. No attempt has been made to give a complete history of sculpture, or a perfect list of artists and their works; the treatise is concerned only with the principles which underlie all art and are the foundations of criticism.&#1524;</description>
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