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According to The Orange Grove, "Gender and the Chivalric Community in Malory’s Morte d’Arthur reveals, for the first time in a book-length study, how Thomas Malory’s unique approach to gender identity in his revisions of earlier Arthurian works produces a text entirely unlike others in the canon of medieval romance. Armstrong argues that issues of masculine and feminine gender identity play more critical, central roles in Le Morte d’Arthur than they do in Malory’s sources or other chivalric literature. Effectively merging contemporary gender and feminist criticism with careful analysis of Malory’s sources, Armstrong uncovers how gender ideals established in the early pages of the text subsequently inspire and mediate the action of the narrative; moreover, her analysis shows how such ideals become progressively more divisive and destructive as Le Morte d’Arthur moves toward its inevitable conclusion."

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