banner

Art Critique: A Way to Talk about Art

Cris Guenter, Ed.D., Professor Emerita, CSU, Chico

Note for Instructors:  This lesson can used and adapted for upper elementary students through adults. The lesson can be done in a classroom setting or in a virtual setting. It can be connected to almost any subject or content area since artwork exists about many things. For example, if you teach an engineering course, there are are many artworks and photos to be found by doing a search for engineering at Google Arts and Culture. Using a visual image to introduce, enhance, or extend your curriculum content supports student retention, allows for efficient communication, and aids comprehension. Depending on the image selected, it can also stimulate interest and drive student motivation. For your convenience, inks to online sites with artwork collections are at the bottom of this page.

Objectives:  In pairs, students will be able to successfully identify four-steps used to critique art. Students will be able to successfully complete the four-step critique process using a designated piece of artwork.

Rationale:  Interpreting art allows students to use their brains, think, and imagine. Artists document. react to, and ponder what is happening around them. This teaches students about beauty in the world, about the power of imagination, and ways to channel emotion using art. Critiques help students hone their persuasive oral and writing, information-gathering, and justification skills.

Procedures: Introduce the four steps used in the critique process and provide a reference to clarify what occurs in that step.

  1. DESCRIBE - Describe the facts, what you see in the painting--lines, shapes, textures, colors, objects. Questions that could be asked at this step include: What kinds of lines do you see? What kinds of shapes do you see? What kind of textures do you see? What kind of objects do you see?  
  2. ANALYZE - Look at the way the facts are put together or designed--balance, light areas, focal point, illusion of space, dark areas, rhythm created by repetition. Questions that could be asked at this step include: What kind of balance is used--symmetrical or asymmetrical? Where do you see the most light? What is the first thing you see when you look at the painting? What kind of space is used? Where do you see the most the dark areas? What do you see repeated in the painting?
  3. INTERPRET - What is the purpose or meaning of the art work? Review points 1. and 2. (Describe and Analyze). These are the clues to the meaning and purpose of the painting. Questions that could be asked at this step include: Does the artist seem to be primarily concerned with imitating nature?  Does the artist seem to be mostly interested in expressing feeling or emotion? Does the prime concern of this artist seem to be with lines, shapes, colors, textures, and design or with composition? Does the name of the painting tell you about its meaning or purpose? What word would you use to describe the artwork? (Example--strength, fear, courage, hope, etc.)
  4. JUDGE - Present your opinion of the work's success or failure based on what you have learned from the three previous steps. Provide your reasons with your judgment.  I like OR do not like this artwork because...

Then using a selected image from Google Arts and Culture, go through the process with the entire group. First determine the name of the artist, the title of the work, the medium used to create it, the size, and date it was made. Facilitate the discussion so they become familiar with the process. 

Put students in pairs and either designate a specific piece of artwork for the all groups or allow the pairs to select an image on their own. Pairs will then work together to critique the piece of art using the four steps. They can take notes with paper and pencil or more formally document responses for each of the four steps via a Google Doc. Monitor progress of pairs. 

Closure: As they finish, put two pairs together and have each pair share and discuss their findings with the other. Again monitor progress of the groups. As sharing winds down, ask for their attention. Ask for volunteers to share what they learned about viewing and discussing art. Ask if they noticed that the judgment and evaluation was the last step in the process and not the first.

Assessment: Assessment of the two objectives can be done in a number of ways. Students could be asked to orally identify the four steps or do it in writing. The pairs could be asked to provide their notes and/or summary feedback to you. Or you could make notes on pair and group progress as you monitor their efforts. Pairs could also present their summary findings with the image to the whole group.

The Google Cultural Institute: Google Art Project is a collaboritive partnership with several world acclaimed art museums (representing 40+ countries) to display a gallery collection of (40,000+ high resolution) artworks by various artists sorted by historical time periods/movements, location, and more. Here the viewer can easily select an artwork to zoom in and out to enlarge the size and detail . Also, you can select and put two art work selections side-by side for making comparisons/contrasts in their artistic style, medium, theme, genre, subject matter, and more. In addition, Google's "Wondows View Project" allows you to view an impressive selection of cultural landmarks and world heritage sites. This is an excellent site for Art History teachers and students. [Open GLAM = Open...
NGA Images is a repository of more than 45,000 open access, digital images of the collections of the National Gallery of Art. On this website you can search, browse, share, and download images.The images are free of charge for download and use.
The Art Institute of Chicago has adopted an Open Access Policy on Oct. 23 2018 making 44,300+ public domain works in their collection assessible under a Creative Commons Public Domain Attribution (CCO) license, making these images freely accessible and availble for use, sharing, and remixing without restriction by the general public worldwide. Note: Make sure available image has CCO Public Domain Designation. Enjoy discovering art by Van Gogh, Picasso, Warhol & more in the Art Institute's collection spanning 5,000 years of creativity. OpenGLAM (GLAM = Galleries, Libraries, Archives, Museums)/ K-12 STEAM (STEM + Arts)
Explore the Smithsonian American Art Museum through rich media. Slide shows, podcasts, and other interactive resources present this collection in new and engaging ways.
The Fine Arts Museums of San Francisco (FAMSF) is the City's largest public arts institution. Comprised of the M.H. de Young Memorial Museum and the California Palace of the Legion of Honor, FAMSF has a very impressive web site. Not only does it have online exhibtions from all of these museums, it also hosts The Thinker Image Base of over 75,000 online images from the de Young Museum and the Legion of Honor. There are Quick Searches for the entire site, a Thinker Search Engine for the 75,000 image database and links for Education, Current Exhibits, and online stores for all the museums. Recent Announcements are kept up-to-date and there is quick access if you wish to contact them or get involved.
The Courtauld Institute of Art provides you with a searchable database of over 40,000 images from the Courtauld, The Conway Library, and independent photographers.
J. Paul Getty Museum's Open Content Program (web-link: Getty Search Gateway) makes freely available over 109,000+ digital images from the J. Paul Getty Museum and Getty Research Institute, including an additional 72,000+ images from the Research Institute's Foto Arte Minore Archive, which features photograghs of art and architecture of Italy over 30 years by German photographer and scholar Max Hutzel (1913-1988). The Getty makes available, without charge all available digital images to which the Getty holds the rights or that are in the public domain to be used for any purpose. No permission is required. [Open GLAM = Open Galleries, Libraries, Archives, and Museums]