'Over forty years, the pages of previous hit Film next hit Quarterly have reflected not only many interests, but also many kinds of interests. These are reflected in the section headings of this book: Theory, Genre, Documentary, Technologies, Historical Revisions, and, under the heading of Group Texts, the avant-garde on the one hand, and feminism and the narrative previous hit film next hit tradition on the other. In the necessarily compressed dimensions of this book we have tended toward articles that in one way or another combine two or more of these categories. To compare previous hit Film next hit Quarterly to other journals, there are certainly others that specialize in feminism or in the avant-garde, and hence perhaps treat them more extensively than we do. In documentary coverage, and especially in documentary theory—although other journals have articles and features in this field—the position of previous hit Film next hit Quarterly is especially strong. Superb as they are, the articles and interview in this book only sample the abiding commitments of the journal over forty years. But what is unique about previous hit Film next hit Quarterly is not any one of these specialty areas, but all of them. No other previous hit film next hit journal has embraced and kept up with all of these fields as previous hit Film next hit Quarterly has. Two topics not yet dealt with are theory and previous hit Film next hit Quarterly 's annual book review issue. The massive annual review coverage of the year's previous hit film next hit books is unique; no other previous hit film next hit journal in the United States or elsewhere offers anything like this systematic coverage. (The genesis and development of the book issue are discussed in the introduction to Part One, "Early Days.")'
