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My main purpose is to follow Alberti’s own development and to lay bare the internal consistencies of his thought. In order to arrange the complex material of Alberti’s writings and make internal relationships clear, I have divided my discussion into three parts that overlap on occasion. The first part deals with the method Alberti employs to develop his cultural theories, a method based on a system of autobiographically tinged interlocutors that assume specific functions in a cosmological scenario; the second part deals with his theory of a fateful arch-aesthetic, and the third part investigates Alberti’s views on the function of a belate

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