Material Detail

This volume redefines how we approach early music and cultural histories, intertwining feminist, decolonial, and creative perspectives. Fatima Lahham delves into the improvisational practices of early modern England, situating them within a rich tapestry of musical sources, theological texts, travel narratives, and natural histories. Inspired by Sara Ahmed’s notion of the “feminist ear,” the book amplifies voices and histories often unheard, re-examining the cultural interplay between England and the Ottoman Empire in the seventeenth century.

This groundbreaking study bridges disciplines and engages with critical race studies to explore decolonial methodologies. Lahham challenges traditional historiographies, integrating improvisation studies and early modern creativity to transform our understanding of historical performance and inspire new practices today. Tracks from her album punctuate the text, fostering an innovative, multi-modal reading experience, while creative prompts invite readers to craft their own improvisations.

At once scholarly and imaginative, this book expands the boundaries of historically informed performance and cultural studies. By mobilizing improvisation as a tool for understanding and re-imagining history, Imagining Otherwise offers a vital contribution to early music, feminist theory, and the study of England’s global engagements.

This will delete the comment from the database. This operation is not reversible. Are you sure you want to do it?

Thank you for reporting a broken "Go to Material" link in MERLOT to help us maintain a collection of valuable learning materials.

If you feel this material is inappropriate for the MERLOT Collection, please click SEND REPORT, and the MERLOT Team will investigate. Thank you!

You are being taken to the material on another site. This will open a new window.

Do not show me this again